Dear Parents, Guardians and Educators,

Performing Arts Workshop is wrapping up our final year of evaluation activities for Project ARISE at 5 of our partner schools. ARISE stands for Arts Residency Interventions in Special Education and is a project with the U.S. Department of Education, San Francisco Unified School District and Performing Arts Workshop. The project began in 2007 and while the evaluation wraps up this year, we hope to continue bringing high-quality arts programming to schools and special education students throughout the district.

What this means for your student:

  • Special education and general education students in grades 3-5 at Edward Robeson Taylor, Starr King, Robert Louis Stevenson, and Ulloa Elementary schools are receiving classes in Theatre Arts or Creative Movement once a week taught by a professional artist.
  • The arts program runs for the full school year and is combined with an evaluation that examines the program’s impact.

What we’ve learned so far:

  • ARISE helps build self-esteem, especially for students with special needs. All students are treated the same during the arts lessons, and they provide a time for some to shine who might not excel in other academic areas.
    • Last year, special education students in ARISE had significant gains in demonstrating respectful behavior to peers and adults at school.
    • ARISE programming also supports growth among English Learners. The lessons develop public speaking skills and non-verbal communication, which helps students during the rest of the school day.

These are just a few of the things we’ve learned from our 2 years of project data. Starting in June, we’ll add data from this year to share with our partner schools. In the meantime, I invite you to read about what is happening in some of our classes. Our artists are happy to share their experiences and stories about their work, and I hope you enjoy reading about them!

Sincerely,

Karena Salmond
Program Manager, Artists-in-Schools
Performing Arts Workshop
1661 Tennessee Street, Suite 3-O
San Francisco, CA  94107
(415) 673-2634 ext. 202
karena@performingartsworkshop.org


Theatre at ER Taylor: The Art of Risking
by Beverly Sotelo

Nobody likes being wrong. It’s scary to be wrong. People might laugh at you and not want to be your friend. That’s why it’s so hard to be on stage.

In our theatre classes, we are “Practicing Being Brave.” Students are exploring how to deal with their nervousness by using internal focus and concentration through a lesson of “Risk.” In this exercise, a child drops backwards from a standing position into their partners’ arms by asking for “A little risk,” (small drop) or “A big risk” (lower drop). The participants admit it is scary to fall backwards, but it is also fun. Like being on stage, nervousness can also mean a prelude to fun! On stage with feelings of nervousness, I give them something that takes all of their concentration. “Focus on throwing a pretend ball.” “Pretend you’re eating a banana.” “Focus on counting how many kids are wearing blue today.” Their nervousness melts away.

“Why?” I ask them.

“Because we’re too busy thinking about doing something!”

“So when you’re nervous, find something to do!” The kids come alive with ideas for focus points. All of a sudden, EVERYONE wants to go on stage! I am really enjoying watching these students learn to conquer their fears little by little.


Theatre at Ulloa: Sparking Creativity
by Jason Brown

Contemplate“Good morning boys and girls! Come on up on the stage. Anything you see on stage you can call it something else. Rename the chair to dog, the curtain to feather...whatever you think of. This class is not about me learning what you know, but what you think, how creative you can be.” I love this class. Transitions can be tough and attitudes flare spontaneously, but the teacher and aides are present and support me in diffusing what comes.

“Everyone find a partner, make the shape of a letter with your partner. Abraham and Quincy made an ‘L.’ What words start with ‘L?’” Using this starting point and the word “LIFE”, we created a play. The setting is a court room. Life (a student) is on trial. Death and Disease, (two students) accuse Life of being partial to Sun and Water (another two students). All subjects represent themselves. There is no judge, just a conversation on stage with fifth graders exploring their ideas around life and death. We created this lesson and experience together. Acting for me is often about digging out the creativity from the individual. With my ARISE students, I don’t have to do much digging at all.


Theater at R.L. Stevenson: Laying the Groundwork for Success
by Alicia Ohs

Last week I asked my students, “How do you think theatre arts might be important for a job?” The first responses expressed that theatre arts class was only good if you wanted a job in theatre. But at a closer look, we discovered that theatre arts skills are applicable to any job interview process, and many social atmospheres.

In theatre arts class, we are learning to be calm and confident speaking in front of others. We learn to take risks, making individual choices and performing them. We are learning to overcome shyness and learn the feeling of success that comes from trying something new, and succeeding.

In addition to learning about individual choices, students are also strengthening their skills at working together. By building a scene collectively, or performing as an ensemble, students are learning the importance of each member of the community. In addition, they are engaging positive conflict-resolution skills.

These skills combined are preparing them for the future!


Creative Movement at Starr King: Learning Together
by Jason BrownStarr King

It is Tuesday morning. 9:15am. I’m at Starr King, Room 5. The room smells like syrup and sausage. My seven students are wriggling on the wooden bench in the corner. The teacher’s aides are holding some, talking with others.

“OK, are you ready for performing arts class?” asks Mr. Slye. Not much response. Ayanna whispers, “Tata,” (the name the children use to address me). I throw on a CD and work to excite the kids...

“Goooooood Morning! How you guys doing today? Let’s warm up. Who remembers the first step?” With this class of severely autistic kids I am very interested in learning about their memories. They remember my name. At least Ayanna does, so...how much body memory do they have? The aides help me to get them off the wooden bench, and we are exercising. In the beginning I did not know how to really engage my students with special needs. So much of my class is discussion-based and these children are not very verbal. So...I decided to teach them full contact dances, like Waltz, as well as Guinean acrobatic dance with huge leaps and bounds! The more they touch me, and each other, the more they get to move without limit, the more smiles I see on their faces. Now its 10:00am and its time to make rain, an exercise used to relax through sound - decompress, if you will. The class quickly returns to its regular rhythm. Jason will swing in the doorway, Ayanna will play with her blocks, Vivian and Vanessa will leap around. I will go down the hall to room 7 to teach another Special Day Class, this time a much younger group. Deep breath, “Gooooood Morning! Ready to dance?”

 


The ARISE project is made possible by the following partners. For more information, please contact the Workshop.


Workshop Notes is a publication of
Performing Arts Workshop
1661 Tennessee Street, Unit 3-O
San Francisco, CA 94107
Phone 415-673-2634
Fax 415-776-3644
info@PerformingArtsWorkshop.org
www.PerformingArtsWorkshop.org
Graphic Design: Anne Trickey

Contributing Writers:
Jason Brown
Jessica Mele
Alicia Ohs
Karena Salmond
Mia Tagano

Administrative Staff
Founder, Director Emeritus: Gloria Unti
Executive Director: Tom DeCaigny
Artistic Director: Gary Draper
Development Director: Brian Wiedenmeier
Deputy Director: Jessica Mele
Program Manager (AIS): Karena Salmond
Program Manager (AIC): Mariel dela Paz
Program & Communications Coordinator: Anne Trickey
Administrative Assistant: Yolanda Salone
Business Manager: Cathy Worner
Evaluation Consultant: www.theImproveGroup.com

Board of Directors
President: Peter Rothblatt
Vice President: Monique Olivier
Secretary: Jason McMillan
Treasurer: Ron Reitz
Virginia Dold
Kathy Gin
Karen Harris
Johnny Mansour
Gregory Marks
Sajjad Masud
Annie McGeady
Cyrus Wadia
Merti Walker

Advisory Board
Michelle Angier
Bernice Brown
Lai Ming Chan Meyer
John & Diane David
Peter Dewees
Diane Downing
Sarah Duskin
Diana Fuller
Jerome & Leah Garchik
Joanna Haigood
Geoff Hoyle
Becky Jenkins
Margaret Jenkins Howard & Rozanne Junker
Robert Kikuchi-Yngojo
Carol Kocivar
Beatrice Krivetsky
Nina Kwan
Carlene Laughlin
Sukey Lilienthal
Devorah Major
Bob & Debbie McNeil
Jeanne Milligan
Donald Ohlen

Sheila Pressley
Francine Prophet
Dana Smith
Marilynne Solloway
Cameron Tuttle
Nancy Wang
Sonia Wong
Charles & Jean Wood